V/H/S 2012 Pelicula Completa Castellano
V/H/S 2012 Pelicula Completa Castellano- pósters -1440p-AVI-Duración de la película - reacciones -año- stream hd .jpg
V/H/S 2012 Pelicula Completa Castellano
Equipo De Filmación
Coordinación Departamento de arte:
Cailey Cecilia
Coordinador de acrobacias:
Nolan Lura
Diseño de guión:
Alyas Dellan
Imágenes : Bettina Morrow
Co-Produzent : Rhyz Calumn
Productor ejecutivo : Taofeek Laramée
Director de arte supervisor:
Peggy Minesh
Produce|Producir : Nasir Picavet
Actriz : Hess Ponceau
5.9
672
Título de la película | V/H/S 2012 Pelicula Completa Castellano |
Hora | 147 segundos |
Lanzamiento | 2012-07-28 |
valor | AVI 720p DVDrip |
Categorías | Thriller, Horror |
lenguaje | English |
nombre de reparto | Soren V. Ramsey, Jalbert ProductionsDarlene R. Downs, Jaylen F. Beryl |
[HD] V/H/S 2012 Pelicula Completa Castellano
V/H/S, 9/10. Gory, fun and inventive - if flawed - portmanteau horror pic shot in the cinéma vérité (Cloverfield, [REC], The Blair Witch Project) style.
Like all anthology pieces, some ideas work better than others but V/H/S is packed with good stuff, containing as it does six "stories" (including the wraparound segment that tenuously links them all), each directed by a different up-and-coming bright young thing in horror movies. The wraparound story is by far the worst, and bizarrely it wraps up second-to-last, but still: a bunch of petty-criminal ****ers, presently making small-but-quick bucks from a streaming porn site by attacking innocent women in the street and exposing their breasts for the camera (charming) are hired by a "fan" of the site to carry out a reasonably simple task: break into a house, sneak in, steal a specific VHS videotape (apparently they'll know it when they see it, though this is far from the case), and get out of there. What they find is a largely empty house save for a cellar area chock-full of tapes and one room containing an expired tenant sat in front of a bank of old TVs and video players. They randomly play through a few of the many tapes in order to try and ascertain what they're supposed to be nicking, and that's where the five anthology tales come in; they're what these bellends see on the videotapes.
The stories, then (I'll buzz through these, they're only twenty minutes or so long each, so too much info will be to give the story up):
1. Amateur Night - A trio of lads go out on the razzle armed with some cool camera-glasses, so one of the guys can happily film their evening's debauchery without anyone being any the wiser; superb if you're planning to get a couple of lasses back to your motel room for some gangbang action and film the results. They... well, they probably pick the wrong gal to bring back. I liked this one, despite my nagging fear (placed by this segment in tandem with the wraparound skit and even borne out further - though to a lesser degree - by the other segments) that there might be a nasty undercurrent of misogyny running through the movie. I guess though the simple truth is that when you put a bunch of young male twats in charge of filming ****, they end up venturing up the "amateur porn" route sooner rather than later.
2. Second Honeymoon - Directed by slow-burn specialist Ti West (The Innkeepers, the superb House of the Devil), and this one's typical of his canon. Nothing really happens beyond getting to know - and like - the nice couple doing the usual touristy thing around Arizona/Nevada. Then a girl knocks at their motel room door. Gore-free - almost incident-free - until the very end, this one was nonetheless one of the most effective segments.
3. Tuesday the 17th - In which four kids go into the woods. Where some murders happened once. Ahem. The segment initially most calling to mind The Blair Witch Project being as it is both found-footage style AND set in the woods, this was for me the least affecting of the "watched videotape" tales, not through a lack of ideas (well, let me clarify: it DOESN'T make a whole lot of sense, but I don't mind that at all in short-story form) but because the actors in this segment were the most "actorly", the least honest and realistic. IMO. That said, it moved along at a real lick, it's as gory as **** and the antagonist's "appearances" on the videotape are pretty cool.
4. The Sick Thing That Happened to Emily When She Was Younger - Chronicling a sequence of Skype chats (hang on: this tale is being watched on a musty old VHS tape; who's converting their Skype chats to VHS? Ah well, no matter I suppose) between a guy working away and his girl, who is becoming convinced that she's either going crazy, or the house is haunted. Her arm's hurting her, as well... Yeah, this was a pretty good one. Not much in the jump stakes but it had a nice Tales of the Unexpected vibe going on, which is always welcome in these sorts of films.
5. 10/31/98 - Oh-so-simple tale, in which a bunch of guys - and in a refreshing change from the wraparound segment and Amateur Night, NOT a bunch of unlikeable dickheads - are on their way to a Halloween party, and go to the wrong house. Like, REALLY the wrong house. This may well be the best segment of the lot. Certainly the most cool-effects-laden. It was a great way to close out the movie.
Flaws - well, there's that aforementioned misogynistic streak running through the movie (most specifically the first 40 minutes or so). Also, although great ideas and buckets of grue abound and it was a blast to watch at the time, I'm afraid that lasting, visceral scares are thin on the ground, although I attribute that more to the nature of portmanteau films not having long enough per segment to develop real empathy or tension. But the worst flaw, by the proverbial "country mile", is that of all of the "shaky-cam" films I've ever seen, V/H/S is far and away the worst, most vomit-inducing exponent of that trait. Cloverfield didn't really pretend very well to be all that "amateur", [REC] elegantly addressed the problem by having their in-film cameraman be a professional television cameraman, with professional kit, and the Paranormal Activity franchise managed to sidestep the problem with the utility of tripods and fixed camera positions. So the worst I'd seen before this was probably The Blair Witch Project, way back when. But the cameras in V/H/S have been painstakingly made to look as amateur as possible, sadly to its detriment on several occasions. I found myself craning, squinting and frowning to see what the **** was happening a few times when I should have been freaking out at the events unfolding on-screen (somewhere).
Still, despite that: What V/H/S gets right, it gets VERY right (and it does so very often). If you likes your horrors, you need to give this one at least a look. Recommended.
Creeper Compendium.
The horror anthology has a chequered history, some are bad but saved by one great segment, others boast a couple of genuine creepers but are undone by one instalment so bad it tarnishes the film forever. And on it goes. V/H/S brings the format into the new age by unfolding its tales by wrapping around the latest craze of found footage.
Six indie directors have produced a picture that was well received at Sundance but has proved to be most divisive with critics and horror fans on internet forums. This will come as no surprise to anyone who knows their horror anthology onions. The usual problems are evident here, a couple of great stories are surrounded by mediocre ones, but at least there is something for everyone, with most bases covered, but that in itself is a problem, all horror fans have preferences, it's a big ask to expect a fan of stalk and slash to love a story about a winged harpy!
Then there is the issue of the found footage format, here recorded on actual VHS. Not everyone is a fan (myself for instance), and much of V/H/S is dizzying and often hard to follow, especially as regards the Tape 56/frame narrative story that cloaks the other five stories as a bunch of no-mark young crims burgle a grotty house and sift through the tapes. It's a format loved by many for its supposed realism factors, I don't get that myself, but for those people this really is up their trees!
Amateur Night (David Bruckner) and The Sick Thing That Happened to Emily When She Was Younger (Joe Swanberg) are the standouts. The former is a cautionary tale of frat boys out for sex who get more than they bargained for when they take home the mysterious Lily, the latter an eerie tale unfolded via Skype communication as Emily appears to be a victim of a haunting whilst chatting to her doctor boyfriend.
However, if you ask another fan of the film what stories they feel standout, you may just get two different answers. So as with any other anthology horror, you roll the dice and take your chance, just don't expect genius in every story, for that is purely folly of expectation. 7/10
Anthologies are, by their very nature, pretty mixed. And found footage horror is not my kettle o' fish. So a found footage horror anthology did not have me ecstatic. I actually didn't mind _V/H/S_ though, this was actually better than a loot of the found footage stuff I've seen, even if they do lean hard into the most annoying things about it, say for instance, video quality, which is (intentionally) abysmal. The framing device didn't work for me though, like, at all. I was very confused, and even if I hadn't been, I wasn't engaged by it at all. Which is a real shame, because I am particularly fond of the director of that part of the film, Adam Wingard. The entries over all weren't amazing, but, almost every segment of _V/H/S_ had a real good "oh shit" sort of a **moment** in it that was real intense, and I'm into that.
Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.
When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire a rare VHS tape, they discover more found footage than they bargained for.
VHS Wikipedia ~ VHS is a 2012 American anthology horror film created by Brad Miska and Bloody features a series of foundfootage shorts written and directed by Adam Wingard David Bruckner Ti West Glenn McQuaid Joe Swanberg and the filmmaking collective Radio Silence The film debuted at the 2012 Sundance Film Festival in January 2012 and released on demand on August 31 2012
VHS Wikipedia ~ SVHS improved the horizontal luminance resolution to 400 lines versus 250 for VHSBeta and 500 for DVD The audio system both linear and AFM is the same SVHS made little impact on the home market but gained dominance in the camcorder market due to its superior picture quality
Viral hemorrhagic septicemia Wikipedia ~ Viral hemorrhagic septicemia VHS is a deadly infectious fish disease caused by Piscine novirhabdovirus originally called Viral hemorrhagic septicemia virusIt afflicts over 50 species of freshwater and marine fish in several parts of the Northern Hemisphere Different strains of the virus occur in different regions and affect different species
VHS2 Wikipedia ~ VHS2 originally titled SVHS is a 2013 horror anthology film produced by Bloody DisgustingA sequel to VHS it comprises five foundfootage segments linked together by a frame narrative VHS2 features a largely different group of directors Jason Eisener Gareth Evans Timo Tjahjanto Eduardo Sánchez and Gregg Hale and franchise returnees Simon Barrett and Adam Wingard
VHS Viral Wikipedia ~ VHS Viral is a 2014 American anthology horror film from Bloody Disgusting The final film in the VHS trilogy created by Brad Miska features a series of foundfootage shorts written and directed by Nacho Vigalondo Marcel Sarmiento Gregg Bishop Justin Benson and Aaron Scott Moorhead
VHS album Wikipedia ~ Personnel X Ambassadors Sam Harris lead and backing vocals acoustic bass and electric guitars saxophone additional percussion Casey Harris piano backing vocals keyboards synthesizers
HS Produkt VHS Wikipedia ~ The VHS Croatian Višenamjenska Hrvatska Strojnica—multifunctional Croatian machine gun is a 556×45mm NATO bullpup assault rifle designed and manufactured by HS Produkt of Croatia The VHS rifle was first introduced at the 2007 iKA exhibition the annual Croatian innovation display that takes place in the city of Karlovac
V H Group Wikipedia ~ The V H Group is an Indian conglomerate primarily comprising companies related to the poultry industry including processed food animal vaccines human and animal pharmaceutical and healthcare products It was founded as Venkateshwara Hatcheries Pvt Ltd in 1971 in Pune has also built Balaji temple at Pune which is a replica of famous Balaji temple of Tirupati
HSL and HSV Wikipedia ~ HSL and HSV are both cylindrical geometries fig 2 with hue their angular dimension starting at the red primary at 0° passing through the green primary at 120° and the blue primary at 240° and then wrapping back to red at 360°In each geometry the central vertical axis comprises the neutral achromatic or gray colors ranging from black at lightness 0 or value 0 the bottom to
HIV Wikipedia ~ HIV is different in structure from other retroviruses It is roughly spherical with a diameter of about 120 nm around 60 times smaller than a red blood cell It is composed of two copies of positivesense singlestranded RNA that codes for the viruss nine genes enclosed by a conical capsid composed of 2000 copies of the viral protein p24
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